The Matron Saint of Nightmares obsesses over horror movies from the best to the worst through the perspective of a mental health therapist who works to treat severe post-traumatic stress disorder. The Matron, who has experienced personal horrors of her own, was drawn to the genre after realizing that her work had inoculated her to being afraid of these films. The Matron views horror stories as stories of (attempted) survival against the odds and the recognition that, often, we are our greatest fear.
She is assisted by her loyal Acolyte, who prepares the ritual medicine.
What do we deserve? Christian and Dani are struggling in their relationship. In this bizarre and artsy breakup horror movie, Dani's sister kills her parents and dies by suicide in the first twenty minutes. Dani (Florence Pugh) shows us a very real expression of grief as she laments and looks to Christian for comfort. Christian, who is not a villain but not a good boyfriend, feels guilty and stuck in his current relationship. He feels as though he can't leave Dani but is not willing to break up with her or work on their relational issues. Christian invites Dani along on a trip with his three friends Mark, Josh and Pelle to Sweden where they are planning to experience and study the small Hårga community's celebration of Midsommar. The community is closed, close knit and traditional, with everyone in the village takes responsibility for each other. Over the course of the movie, the rituals increase their use of psychedelics and become progressively more violent. Many fascinating mental health themes come up in this story first and foremost Dani's experience of loss and trauma. In the beginning, Christian is critical of the attention she gives her sister and Dani tells a friend she may be leaning on him too much. When someone is coping with trauma and loss, it can be overwhelming. We all need social support to cope. As Dani's friend tells her, our loved ones don't HAVE to support us they have the OPPORTUNITY to support us through difficult times. In relationships we are constantly negotiating boundaries and separateness. It can be difficult to determine if you are experiencing an unhelpful codependency in your relationship or if it is appropriate support . Also, helping a partner cope with PTSD can be straining and difficult for everyone involved. However, when we are sharing our lives with someone, we deserve and sometimes need this support. Brené Brown , social work researcher and speaker, talks about "stepping into the arena" as in being willing to take risks and be vulnerable. Christian is not willing to be vulnerable and honest with Dani about how he is feeling. He feels guilt and responsibility to her but is not invested enough to tell her he wants to end the relationship. He is not stepping into the arena with her. Ultimately, the story parallels Dani's process of discovering what she wants and what she deserves to be able to ask for in a relationship. In the end, Dani chooses herself at the expense of Christian's life and finds the release she is looking for.
The first movie we chose to dive into was The Blair Witch Project . The Acolyte and I decided to watch it because we had both been told as teenagers growing up in religious environments, when it came out in theaters, that if we watched it, we would be spiritually punished somehow. As adults, we realized we were already being spiritually punished by life and Metacritic labels the movie a "must see" so why not. The movie hasn't aged incredibly well but, at the time, the found footage technique was relatively innovative. It follows three young adults (Heather, Mike, Josh) trying to do a documentary on the legend of the Blair Witch, who allegedly kidnapped and killed 7 children in the 1940's. Heather is the director and the most motivated to complete the film. I personally am not a fan that Heather is an old school horror movie trope of a character. She is the overly ambitious woman whose overconfidence in herself leads to everyone's downfall. As a character, Heather is often annoying. So much so that the Razzie's awarded the actress Heather Donahue as worst actress t hat year (2000). If we are being fair, however, none of the characters are particularly likable. Mike tosses the map they were using to navigate the forest in the river. Josh is also often annoying and is very critical of Heather without offering many solutions. One part of the movie I loved was how it followed the process of each character's loss of hope and acceptance of death. Mike, even though he tosses the map, consistently attempts to survive throughout the movie through until the end. He often verbalizes his desire to leave, to go home, to live. He progressively becomes less hopeful but is still actively working to survive until the end. Conversely, Josh seems to be the first one to lose his hope in survival. When they realize that they somehow, possibly supernaturally, had been walking in a circle and were no where near home, Josh becomes increasingly more biting towards Heather and his personality shifts. He is angry and afraid but also seems to resign himself to death. Josh tells Heather "I see why you like this little video camera so much. It's not quite reality" which seems like an appropriate and astute observation. Heather has a difficult break next. Throughout most of the movie, Heather is fixated on control. She is passionate about the documentary and...NEVER....STOPS....FILMING. She asks for Mike and Josh to be compassionate towards her but offers them little compassion in return. Heather insists she knows where they are going and how to get home, despite overwhelming evidence to the contrary. When Mike admits tossing the map, she hurls all of the responsibility at him saying "If we die up here, it's your fucking fault!" with no shortage of dramatics. This reaction shows the first sign of possible guilt she is feeling for her role in getting them into the situation because prior she insisted she could get them home and she knew where they were. Heather has a panic attack and repeats "it's the same log" over and over which is a common acute stress reaction. It isn't until the famous scene where Heather records her apology that she seems to resign herself to death. She accepts responsibility and recognizes that she has lost control completely. The movie's focus on the individual character's psychological process is fascinating. However, I feel like it may have been just as effective as short film. The found footage distortions get old after a while and removed me from the story. In total, I felt as though it was not very fear inducing. Here are our final scores: Fear Meter: The Matron: 2/10 The Acolyte: 4/10 What do you think about the ol' Blair Witch? What would you score it?
Mental Health Resources:
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